Glimmerglass @GOpera has announced that its 2022 festival - featuring The Sound of Music, Carmen, the Rossini-inspired Tenor Overboard and a double bill of Taking Up Serpents and Holy Ground - will be @FZambello Francesca Zambello’s 12th and final season.
My dear tree … Strauss’s Daphne was premiered in Dresden @semperoper #OTD in 1938.
Wishing Kaija Saariaho, one of today’s most important opera composers, a very happy birthday!
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In 2012 Opera was the co-founder of the International Opera Awards, and we have continued as a partner ever since. Each year the magazine assembles an impressive international jury spanning several continents, chaired by the Editor, to select the shortlists and vote on the winners, who are announced at a ceremony in London.
Winners of the Readers’ Award, voted for by you, have included Sonya Yoncheva, Pretty Yende, Juan Diego Flórez, Ermonela Jaho, Jonas Kaufmann and Joseph Calleja. As well as fulfilling the initial aims of raising the art form’s profile worldwide and recognizing achievement in all opera’s many disciplines, the Awards have also supported hundreds of singers and opera creators through the Opera Awards Foundation bursaries.
The Opera Awards Foundation was created in 2012 by Harry Hyman, who recognized that there were many artistically talented individuals whose potential was not being nurtured to development.
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The Foundation invites applications annually. Find out more here.
OPERA is continuing to publish on schedule every month during the coronavirus crisis, bringing you the latest news and ideas from those who are continuing to keep the art form alive even while opera houses have had to shut their doors.
The range of topics in our expanded features section each month will offer both engagement with the crisis and a means of escape; meanwhile, our CD, DVD and book reviews carry on as normal.
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Opera is the leading magazine in the operatic world. We are based in London, but around half of our readership is outside the UK, and we aim to provide the most widespread coverage of the opera world that we can. At our last count we had readers in at least 65 countries. Our team of correspondents reflects this, being located across six continents. In 2019 we carried reviews from well over 200 different cities and towns, in 46 countries. We don’t believe any other magazine comes close.
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